Results
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Challenge: Doing situated research and art production in rural areas with minimal climate neutral infrastructure, and navigating unfamiliar climate neutral infrastructure
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about
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Exhibition research display object 9: The Danube and Pak's agricultural history; the boat-mill
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Hosts and Hostages of Nuclear Infrastructures: Managing and Containing Nuclear Materialities in the Post-Soviet Space, Soviet Union and Russia, Eglė Rindzevičiūtė
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Bátaapáti field research report- March 2024, Bataapati, Hungary, Krisztina Erdei
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What are these floating icons? SALT. CLAY. ROCK. semiotics, Berlin, Katarina Šević
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Exhibition 'Field Work - Thank you, this part of the visit is over.', K11 LABOR, Budapest
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Research assembly DAY#2 - Energy futures and solar politics, imaginaries of the future and the deep time of radioactive waste storage, nGbK Berlin
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about SALT. CLAY. ROCK., Berlin, collective editorial
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co2 logbook
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Discussion: How can all this work actually be sustained? How do you account for unaccounted personal, social and economic sustainability within a climate-neutral endeavor?
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Krisztina Erdei with Dániel Misota
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Exhibition research display object 3: Tapestry
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Exhibition research display object 5: Oppenheimer
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Exhibition research display object 7: Bátaapáti aerial photo
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NUCLEAR ENERGY PROJECT: international Erasmus project week and field-trip in Paks led by artist Krisztina Erdei, Paks & Bátaapáti, Hungary, Krisztina Erdei
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Waste and belief, Idaho, USA, Marc Herbst
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Discussion: Everything digital is carbon neutral?
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Discussion: What does producing a climate neutral event look like?
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Discussion: Will our curatorial and scenographic choices be affected by our climate neutral mandate?
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October 12, 2024
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SALT. CLAY. ROCK.: Exhibition Opening, nGbK Berlin
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SALT. CLAY. ROCK. Research Assembly at nGbK Berlin, Berlin, Germany